In 2015, Jean-Pierre Améris brought the life of Marie Heurtin (1885–1921), a deaf-blind French woman, on the big screen. Améris’ biographical film tells the story of a girl who first developed an understanding of linguistic signs and communication at the age of ten. Focusing both on the film’s aesthetic-narrative level and its medical-historical dimension, this article aims to delineate the potential of films as an aesthetic mass medium to convey notions of deafblindness to a general public; beyond that, I will analyze and discuss the views on deafblindness in children that become apparent in the context of Heurtin’s biography
Denis Decourchelle: Deafness, language, identity: the young deaf people. Since about twenty years, ...
This thesis is based on seven months of fieldwork in Paris and two other French cities. The objectiv...
Writer/director Catherine Breillat’s most recent film, Abus de faiblesse (2013), explores an importa...
In 2015, Jean-Pierre Améris brought the life of Marie Heurtin (1885–1921), a deaf-blind French woman...
This contribution examines how and why a cluster of films from every period or genre in the history ...
To date, the subject of disability has been highly disregarded in Germany’s academia. In the field ...
This work belongs to the cultural studies field called disability studies. The intention here is to ...
International audienceThis article is part of a doctoral work, which aims to study disability throug...
Bisher waren Filme, in denen Personen mit Autismus eine zentrale Rolle spielten, heilpädagogisch ina...
Against the backdrop of these works, we propose an analysis of films with and about blind or visuall...
International audienceWe examine here the different linguistic and cultural issues of deafness in re...
Figure mythique pour les uns et méconnue pour les autres, Auguste Bébian (1789-1839) reflète l'ambiv...
A question arises regularly on the situation of the Deaf of the Belle Epoque, which is commonly call...
Sound is one of the first sensory stimuli we have access to even before birth. According to numerous...
Alors que les Disability Studies ont progressivement émergé en tant qu'« études sur le handicap » da...
Denis Decourchelle: Deafness, language, identity: the young deaf people. Since about twenty years, ...
This thesis is based on seven months of fieldwork in Paris and two other French cities. The objectiv...
Writer/director Catherine Breillat’s most recent film, Abus de faiblesse (2013), explores an importa...
In 2015, Jean-Pierre Améris brought the life of Marie Heurtin (1885–1921), a deaf-blind French woman...
This contribution examines how and why a cluster of films from every period or genre in the history ...
To date, the subject of disability has been highly disregarded in Germany’s academia. In the field ...
This work belongs to the cultural studies field called disability studies. The intention here is to ...
International audienceThis article is part of a doctoral work, which aims to study disability throug...
Bisher waren Filme, in denen Personen mit Autismus eine zentrale Rolle spielten, heilpädagogisch ina...
Against the backdrop of these works, we propose an analysis of films with and about blind or visuall...
International audienceWe examine here the different linguistic and cultural issues of deafness in re...
Figure mythique pour les uns et méconnue pour les autres, Auguste Bébian (1789-1839) reflète l'ambiv...
A question arises regularly on the situation of the Deaf of the Belle Epoque, which is commonly call...
Sound is one of the first sensory stimuli we have access to even before birth. According to numerous...
Alors que les Disability Studies ont progressivement émergé en tant qu'« études sur le handicap » da...
Denis Decourchelle: Deafness, language, identity: the young deaf people. Since about twenty years, ...
This thesis is based on seven months of fieldwork in Paris and two other French cities. The objectiv...
Writer/director Catherine Breillat’s most recent film, Abus de faiblesse (2013), explores an importa...